Search
5 per year rom a lock up more than a yearThe renewal o marks has remained irtually nonexistent000 d'entre accompagnées quelques centimètres les aérogares series caused des 2E en a ter the collapse o the dotcom bubbleOwners are ready to begin in estors alsosol e the economic crisis and the question o the tradeThe men and women they are also customersBut two players ha e already made an e ortAre a commitment is more important but barelyTheir engagement is not de oid o other contradictions"LOUISE-MICHEL" o Gusta e Ker ern and Benoît Delépine, with Yolande Moreau, Bouli Lanners. 1: 30 pm
"AUSTRALIA" to Baz Luhrmann with Nicole Kidman and Hugh Jackman. 2: 35 pm
"I eel GOOD" by Stephen Walker 1: 45 pm
Three ilms that ha e nothing to a Christmas tale.
The truce con ectioners is a lesson in courage. Take "Louise - Michel" nothing to do with "the good Louise", deported in Noumea a ter the Commune : mutique, illiterate, swath, she is employed in a textile actory in Picardy. In the e ening, she dines pigeons caught in traps or rats. But when the boss disappears and the company is delocalized, employees who eel plucked. With his colleagues, Louise highlights common se erance. The prize pool will be used to hire a pro essional killer to "run the pattern". But Michel, the mechanic, is a pathological liar trouillard. rom the school ("Les Guignols" and "groland") Canal Delépine and Ker ern sign, with their third ilm, a gritty comedy. In this parade to dangle a gallery o characters and monstrous and unny settings: ear and Loathing in arsonist, a cynical billionaire, and smugglers... Yolande Moreau ad ances towards the camera when suddenly, behind it, a bar o building explodes. "Louise Michel", the world collapses and he manages to make us laugh.
Romance and spaces
Opposite, the mood is no better. And it laughs less. "australia" toggles in the lyrical epic romance with spaces. Lady Sarah Ashley but why, hell, was wanted to call Laura is an aristocrat in diaphanous skin. When she arri es in Darwin on the e e o the Japanese bombing, it passes unnoticed. Crinoline or jodphur, boots and bow blouse, Nicole Kidman is well the toilet. With its small air "Out o a rica", it has stoked passions. The "Dro er" (Hugh Jackman), equi alent local boy cowbird, lead to good port the herd o beasts o her murdered husband, succumbs to also. Lout cowboy may make the mariole "I ha e more accustomed to attend dingoes (dogs wild yellowish, Editor's note) than o duchesses", it is not o bamboo. "Australia", it is " ar gone with bush's": a sizzling lo e story, an accumulation o glitches caused by sales types, the dose required to bad conscience the aborigines playing here the usual o Cheyenne role, a little bit o Ethnology and beauti ul landscapes o the Northern Territory, the "outback" celebrated by the English writer Bruce Chatwin in "the song tracks. ilmmaker Australian Baz Luhrmann ("Moulin Rouge", 2001), has not mégoté. The ilm cost EUR 75 million, it is most expensi e place in the country. The Australian o ice o tourism relies on this saga to attract new isitors. Be ore taking the plane, nothing prohibits to go see 'australia' amily. It is the consensual show par excellence. And it is still two and a hal hours past.
The more rhythmic ilm o the week is called "I eel good", Stephen Walker: the story o Young Heart, a choir where the a erage age is 80 years. The singers are not in the rhyme. Their trick, it is punk, James Brown, the hard-rock. In the beginning, the iewer knows what established dance. Ridicule, embarrassment Then, he is captured, and touched by the energy o these "seniors" amazing, under the authority o their manager Bob Cilman. At the end o the documentary, some singers are no longer o this world. "I eel good" is a ilm about the death by a stoic.
